-About Tizian's "holy and secular love"-
Dimensions: two objects of dimensions cca. 250x175x175cm
Media: Polyurethane
The project consist of a couple of hollow polyurethane cuboids, set one against the other, hanging from the celling, missing about o,5 m to touch the ground. The cuboids are designed so that, although their size and shape are completely identical, they are one different from another by texture of its interior and exterior surfaces. Specifically, one of the external surfaces area are swollen and irregular organic clusters, and the inner surfaces are smoother and finer, while the second rectangular layout that reversed. This inversion is the moment in which these two objects complement eah other, but thus refute one another. The inversion allows us to have a comprehensive look at the objects, inside and out, but only on condition of observing them at the same time, as a couple.
As a couple, these two objects are characterized by relations of outer surfaces that are on both objects composed arbitrarily and freely, compared to their proper and rigid geometric shape. Their surface forms within their shape act as the randomness in the order, as chaos in the stereotyped logos.
"Counterpoise" is another in a series of my work that poses the same questions, and contains the same counterpoint: formation and decay, life and death, continuity and variability, statics and dynamics, illusion and reality, chaos and logos... The basic question is the issue of interference and balance. What is the representation of one opposition within another? Where the is actually the plane of Logos? The concept of this work is contained primarily in questioning general and my own issues of life, within the issues of time and norms, the conventions and their passing.